This eliminates the chance of degrading the image, a risk with under-the-lens filters. A filter drawer holds filters above the optical path. The filter insert is removable, allowing the holder to be used for under-the-lens filters and accessories. A red safety filter is included with the CXL. A lever-operated pressure plate indexes the carrier and keeps negatives flat. Features A triple condenser design guarantees uniform, corner-to-corner illumination. Priced for the hobbyist, this incredibly rugged enlarger is widely used in schools and for commercial applications. Though primarily intended for B&W, the CXL is “color-ready” by using the built-in filter drawer to hold color correction (CC) filters or interchanging the lamphouse with a dichroic unit. Except for the lamphouse, it is identical to the dichroic model (lamphouses are interchangeable and available separately). And none are more crisp than those printed on a 670CXL. Top of the line for medium format black-and-whiteThere's one word for black and white prints made on a condenser enlarger: “snappy”. The KSE-250i is sold with a one-year warranty. For correct power cord please specify the country of use. The machine operates on 12 volts DC and uses a universal power supply with input from 90 VAC to 240 VAC in either 50 or 60 Hz. It has been engineered to be a tough “work horse” with a steel cabinet, state of the art low-voltage circuit design and a ball bearing fan. The KSE-250i is designed for use by digital labs, aerial photographers and fine art photographers. Dust and debris are then smoothly whisked off the film, which insures crisp, sharp images and scans. The high-tech cleaner has six titanium emitters to create clouds of ions that dissipate static charges on film. The KSE-250i has electronic ionization, four anti-static brushes and filtered air. The KSE-250i is designed to clean up to 10″ or 250mm wide. The KSE-250i is the newest film cleaner from Kinetronics. DSLR Baseplate with (2) sets of 3.5″ M/F Rods You can mount your EVF or monitor to the side of the rig using the included EVF mount. With the shoulder pad and counterbalance weight coming directly off of the back of the baseplate, the rig is perfectly in-line with the camera and ready to be used with one of our EVFs or an on-board monitor for traditional ENG style shooting. The Scorpion kit is finished off with a 7lb Z-lite counterbalance and Zgrips V3 with 4.5 rods. The handle can be positioned up or set down into the shoulder pad for storage with the turn of a Zacuto quick release lever. The Scorpion shoulder assembly also has a built in top handle for placing and removing it from your shoulder, low mode shooting and easy carrying. The Scorpion can be used on your left or right shoulder. The ball joint is released and secured by the red top lever. This should be done with one hand while the kit is on your shoulder. This allows the entire shoulder pad assembly to articulate in multiple directions so shooters can angle it to fit their body for individual comfort. The Scorpion Shoulder Assembly also features an innovative ball joint built into the front of the shoulder pad. The rods screw into the back of the DSLR baseplate and connect to the front of the shoulder pad via 15mm quick release ports, making the switch from shoulder mount to tripod use quick and easy. Our new curved form-fitting silicone gel shoulder pad connects to the back of the baseplate via two 2 M/F rods. This unique feature allows you to quickly switch between using the camera on its own or as part of your rig. You can also easily quick release your camera from the rig by turning the red knob on the side of the baseplate and pulling up on your camera. The baseplate attaches to your tripod using the standard tripod plate screws (2) 1/4 20 and (1) 3/8 16. At the center of the Scorpion is our highly adjustable DSLR Baseplate, which allows you to mount any DSLR to the rig and mount your rig onto a tripod. The Scorpion rig is the ultimate solution to DSLR shoulder mounted shooting with an EVF.
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